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Ella Maria Ray

Fired-clay sculpture that evokes African American and African cultural expression to address questions concerning humanity.
Colorado

    

 

Ella Maria Ray is an associate professor of African American studies and visual anthropology, a student of the Jamaican Rastafari movement, and a visionary creator of material culture. She creates a relationship between ethnographic data and visual art as a tool for understanding our human experience.

Dr. Ray earned a B.A. from Colorado College, and a M.A. and Ph.D. in Anthropology from Johns Hopkins University.  She has studied figurative and conceptual ceramic sculpture independently with Arthur González, and has taken sculpture classes from Jean Van Keuren (Davis Arts Center), Arnold Zimmerman (Anderson Ranch Arts Center, Snowmass, Colorado), and Gayla Lemke and Barry Rose (Art Students League of Denver).

Thus far, Dr. Ray’s sojourn has lead her to Cortona, Italy as an artist-in-residence for University of Georgia’s Study Abroad Program, and to fellowships at the University of California, Davis, and Colorado College, Colorado Springs, to analysis ethnographic data, and explore humanity through visual art. Fieldwork has taken her to Jamaica, Botswana and the midwestern and southern United States.  Always, she seeks the African roots of contemporary diasporic African cultural manifestations. Through her hand-built ceramic sculpture she attempts to touch viewers at a “soulular level.” African Americans of the Gullah culture in South Carolina and other southern states, who hang glass bottles particularly cobalt blue bottles in trees to mesmerize ancestors and capture evil spirits, inspire her series of “bottle trees.”  Her akua’ma figures call to the Ghanaian Asante ideas of beauty and fertility to gain insight into the symbolic imagery that enriches continental and diasporic African women’s lives.  Her masks, like African masks, do not hide or deceive.  Instead, they are meant to reveal the history, stories, emotions and the endless possibilities of diasporic and continental African people. 

Dr. Ray's ceramic sculpture emerges from a commitment to acknowledge the ways in which continental and diasporic Africans share cultural commonalties, while simultaneously expressing cultural distinctions.  As an anthropologist and visual artist, she strives to teach and understand the complex vision diasporic Africans are creating for themselves and for all of humanity as we walk into the twentyfirst century.

 

                                        "Anthropology reminds me that in this society performing and                                                         visual artists are a powerful group of modern healers.  And, in the end,                                                                                  my spirit creates art to touch people at the soulular level."

Ella Maria Ray, 2002

 

 



 

 

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